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A Gothic-style church tower is seen in the middle distance. It dominates a cloudless sky in the upper portion of the image, with trees rising behind the lower portion of the building and a single story outcropping of the building expanding to the tower's left. The architectural details, especially the carved stonework and patterned brickwork, are rendered with precision.<br /> Signed and dated lower right on plate: "John Taylor Arms. 1937". Signed and dated lower right below plate in pencil: "John Taylor Arms 1937".<br /> Watermark: England
John Taylor Arms (American (North American))
Anglia Antiqua, West Walton
1937
Gift of Carl Fredric Clarke
1949/1.42
Colonnaded buildings line lawn, at the far end of which is a church. Larson 2/7/18&nbsp;
Samuel Chamberlain
Divinity School Quadrangle 4, from "Twelve Etchings of Yale"
1895 – 1948
In honor of James Rowland Angell, a graduate of the University of Michigan in the year 1890, President of Yale University 1921-1937
1948/1.107
This drawing shows a city climbing a hill along the bank of a river. The background is mostly grey, with faint washes of blue around the top and bottom edge to indicate sky and water. The blocky brown, pink, blue, grey, green, and yellow buildings have flat, black roofs and some windows are lit. Little black boats are lined up on the shoreline, and one is offshore flying the French flag. On the right, the tower of a church rises out of the water.
Victor Reinganum (British (modern))
View of Collioure
1952
Gift of Mrs. Florence L. Stol
1964/2.35

Albert Kahn (American (North American))
Todi
09/30/1924
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.649
This photograph depicts a view of a church, before the church is a wide open piazza with two obelisks standing in its center. Next to one of the obelisks is a donkey cart.
Giorgio Sommer (Italian (culture or style))
Chiesa St. Maria Novella (Firenze)
1857 – 1866
Gift of Mr. & Mrs. W. Howard Bond
1986/1.152
The scene shows a group of buildings with white colored rooftops. Two buildings rise up in the foreground on the right and left. The right building has a red side with vertical lines hashed into it. The left building has two white triangles on its roof. In the middle ground is a smaller building with a green-domed tower rising up the middle of the composition. A small red figure stands on the white ground to the right of this tower. The background shows the large white rooftop of another building, with small dark rooflines of buildings visible behind it.
Saitō Kiyoshi (Japanese (culture or style))
Nostalgia (Boston)
1956
Gift of the artist
1958/2.36
Sketch of ancient ruins. A large archway flanked by columns on either side, leads to an apse. To the left, there are stairs among rubble.
Artist Unknown
Sketch of the Baths of Caracalla
Gift of Professor Walter M. and Nesta R. Spink
2013/2.559.3
Sketch of ruins. In the foreground, piles of rubble can be see. At the back, there are a series of entrances flanked by columns.
Artist Unknown
Sketch of the Baths of Caracalla
Gift of Professor Walter M. and Nesta R. Spink
2013/2.559.4
A group of people outside of a church praying because there is no more room inside. The streets are covered with parked cars.
Danny Lyon (American (North American))
The mass meeting in Danville is so crowded that it overflows out into the yard. When word arrives that heavily armed police and an armored vehicle are waiting up the road, the crowd disperses, leaving the SNCC workers to exit last, from "Memories of the Southern Civil Rights Movement"
1963 – 2010
Gift of Thomas Wilson '79 and Jill Garling '80
2014/2.321
Exterior view of a stone structure with dome. Two men stand near one of the corners of this building in the lower middle ground. Trees, bushes, and architectural fragments populate the right foreground.
Felix Bonfils (French (culture or style))
Eglise Sainte-Anne – St Anne's church
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.28.9
Three figures in black robes stand on or near a landing that connects two staircases in front of a shrine. In the top-middle of the photograph, a sculpture of a robed female figure stands amid numerous rows of vertical candlesticks in front of an arched recess.
Felix Bonfils (French (culture or style))
Church of the Annunciation, Nazareth, Interior
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.29.7
View of a town in the distance across a plain and a cemetery crisscrossed by dirt roads. 
Felix Bonfils (French (culture or style))
Ramleh, vue générale prise de la tour—Ramleh: general view from the tower
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.31.3
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